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Pas de Deux (band)
Pas de Deux (Walter Verdin, Dett Peyskens and Hilde van Roy) were a Belgian band, best known for their participation in the 1983 Eurovision Song Contest, and the controversy surrounding their selection as that year's Belgian representatives. The band was formed by Verdin in Leuven in 1982.
== Eurovision Song Contest ==
Pas de Deux were one of nine acts chosen for the Belgian Eurovision selections in 1983. Initially, each act performed three songs and the best from each was chosen by a jury to go forward to the final.〔(Eurovision Song Contest national finals database - 1983 Belgium semis )〕 The final took place on 19 March, when Pas de Deux's song "Rendez-vous" was chosen from the nine entrants as Belgium's representative for the 28th Eurovision Song Contest. "Rendez-vous" consisted of just one line of quasi-nonsensical lyric ("Rendez-vous, maar de maat is vol en m'n kop is toe") repeated over a quirky, rhythmic instrumental track while Peyskens and van Roy danced barefoot, and seemed to baffle the conservative audience, a large proportion of which was supporting more mainstream singers Bart Kaëll and Wim de Craene. When it became apparent during the voting that "Rendez-vous" would be the clear winner with the jury, audience bewilderment turned to anger. There were jeers, whistles and catcalls, and many walked out in disgust before "Rendez-vous" was reprised. Pas de Deux themselves appeared untroubled by the reaction, seeming to be quite amused by the furore.〔(Belgian Eurovision preselection information )〕〔(Eurovision Song Contest national finals database - 1983 Belgium final )〕
The contest itself was held on 23 April in Munich, and "Rendez-vous" proved unsuccessful, finishing in 18th place of the 20 entries, having received points from only the UK, Spain and Portugal.〔("Rendez-vous" at diggiloo.net )〕 Despite the poor result however, "Rendez-vous" has come to be highly regarded in Eurovision circles, being seen as a prime example of a song which in terms of style and performance was too contemporary and risky to succeed with the then somewhat conservative Eurovision juries.
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